We have also shot a video with ISO 5000 which will be used in our review of the new VariCam LT, scheduled for publication next week.įor this shoot, I tried the Schneider Cine PL lenses as well as the Zeiss Cp2 50mm Macro. I found it gave me the best overall performance. ![]() It allows you to shoot clean video at ISO 800 and ISO 5000. The dual base ISO has been one of the unique features of the Varicam 35 which Panasonic’s marketing team have given priority to. I also used an ALZO LED softlight and some minus fill for a few of the beauty shots. Along with my camera assistant, Michi Mrkvicka, I lit the whole video with a single 1000W tungsten light as a kicker. I had a single day of daylight to create the video, with two improvisational dancers. Fortunately, I was able to with the young musician iNana and made this music video with her. There’s no better method for evaluating a camera’s performance. Let’s take a look.Īs with any new camera, when the Panasonic Varicam 35 arrived at our office, we wanted to test it during a real production. Just like those produced by other manufacturers, it seems as though the Varicam 35 sensor is here to stay. It is a smaller, lighter camera for single operator use that has the same sensor as the Varicam 35. The VariCam LT was introduced two months ago. In this review, I will share my thoughts on working with the camera and look at the technical performance of Panasonic’s flagship cinema tool. We had a chance to test the Varicam 35 during a live production. The Panasonic VariCam 35 was introduced last year and marked Panasonic’s entry into the cinema camera market.
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